Rick's Slumber – deconstructing the image

©Ego Faylona
I really like this image. The colors, the composition… its a yin and yang and a good example of the diagonal method. The lightly colored verticals and horizontals of the inorganic at the upper left contrasts strongly with the dark and organic form of Rick at the lower right. The chair, the ceiling as well as the receding partitions beautifully frame the subject in his dreamy and open mouthed slumber.
The colors are not too garish or detracting. But what particularly catches my attention is how the eye is led around the image. How the photographer composed and cropped the photo for movement and flow, utilizing it to make the viewer explore the different elements, textures and colors.
On seeing this, my eye is led directly to the subject’s face, framed with his dark hood, the point of entry. The triangle of the neck then leads me down to a path formed between the arm and the yellow string and terminates at his hand. The partitions then pick my view, up with its vertical movement assisted by the post.
The dark square of the ceiling is the turning point, the corner which then leads my eye horizontally to the right goading me to follow the dark squares. The perspective created by the vertical lines of the ceiling helps to direct my attention to the center, to the blue spot.
Coincidentally, this part of the image forms a triangle, encouraging me to follow its direction until the arm of the chair stops the downward movement only to lead me to the right, to the chair’s rise and brings me back to the starting point.
And it flows beautifully.
Posted with permission from Rick Manzano of ProjectManila and Ego Faylona, the photographer. Photo was originally seen in Rick’s Facebook page.






Rick
23 July 2009oh, boy. i hope the boss doesn’t see this. hehe
eehgow
23 July 2009Thanks for the critique, sir! More power to you!
dna md
23 July 2009Nice review Estan…
Jon
23 July 2009I agree. Its a cool well composed image altho the gaping mouth and sharpened nostril are a trifle disconcerting. I like the critique.